I’m working on my next book which is very different from the children’s book, Earth Allies that I’ve written. It is fictional with some personal truths incorporated into it. Here is an excerpt that I thought you might enjoy reading.
The little girl tossed her doll aside as she begin to climb up onto the chair, then the table, and helped herself to a peanut butter cookie from the red and white cookie jar. She was sitting on the edge of the table swinging her little legs back and forth. As she reached for another cookie, her mother called her.
“Onyx where are you?”
This startled the child. She dropped the cookie and tried to put her feet back onto the chair to get off the table but lost her balance and began to fall. This is the moment we agreed upon to make the transfer. When the child made impact with the floor, I entered the body. I walked-in and the original soul walked-out.
I have not read her book but I saw the movie version, Their Eyes Were Watching God, starring Halley Barry and Michael Ely. Made for TV and if I remember correctly it was on a couple of nights, maybe three nights. It was a good movie. I hope you enjoy the bio on Ms. Zora Neale Hurston. She lived a very interesting life that ended so sadly.
Love, light and blessings
Anthropologist and novelist Zora Neale Hurston was a fixture of the Harlem Renaissance before writing her masterwork, Their Eyes Were Watching God.
Born in Alabama on January 7, 1891, Zora Neale Hurston spent her early adulthood studying at various universities and collecting folklore from the South, the Caribbean and Latin America. She published her findings in Mules and Men. Hurston was a fixture of the Harlem Renaissance, rubbing shoulders with many of its famous writers. In 1937, she published her masterwork of fiction, Their Eyes Were Watching God. Hurston died in Florida in 1960.
Born on January 7, 1891, in Notasulga, Alabama, writer Zora Neale Hurston created several acclaimed works of fiction, including the novel Their Eyes Were Watching God. She was also an outstanding folklorist and anthropologist who worked to record the stories and tales of many cultures, including her own African-American heritage.
Hurston was the daughter of two former slaves. Her father, John Hurston, was a pastor, and he moved the family to Florida when Hurston was very young. Following the death of her mother, Lucy Ann (Potts) Hurston, in 1904, and her father’s subsequent remarriage, Hurston lived with an assortment of family members for the next few years.
To support herself and finance her efforts to get an education, Hurston worked a variety of jobs, including as a maid for an actress in a touring Gilbert and Sullivan group. In 1920, Hurston earned an associate degree from Howard University. She published one of her earliest works in the university’s newspaper. A few years later, she moved to New York City’s Harlem neighborhood, where she became a fixture in the area’s thriving art scene.
Living in Harlem in the 1920s, Hurston befriended the likes of Langston Hughes and Countee Cullen, among several others. Her apartment, according to some accounts, was a popular spot for social gatherings. Around this time, Hurston experienced a few early literary successes, including placing in short-story and playwriting contests in Opportunity magazine.
Hurston also had serious academic interests. She landed a scholarship to Barnard College, where she pursued the subject of anthropology and studied with Franz Boas. In 1927, Hurston returned to Florida to collect African-American folk tales. She would later publish a collection of these stories, entitled Mules and Men (1935). Hurston also contributed articles to magazines, including the Journal of American Folklore.
Also in the mid-1930s, Hurston explored the fine arts through a number of different projects. She worked with Langston Hughes on a play called Mule-Bone: A Comedy of Negro Life—disputes over the work would eventually lead to a falling out between the two writers—and wrote several other plays, including The Great Day and From Sun to Sun.
Hurston released her first novel, Jonah’s Gourd Vine, in 1934. Two years later, she received a Guggenheim fellowship, which allowed her to work on what would become her most famous work: Their Eyes Were Watching God (1937). She wrote the novel while traveling in Haiti, where she also studied local voodoo practices.
That same year, Hurston spent time in Jamaica conducting anthropological research.
In 1942, Hurston published her autobiography, Dust Tracks on a Road. This personal work was well-received by critics, but her life and career soon began to falter. Hurston was charged with molesting a 10-year-old boy in 1948; despite being able to prove that she was out of the country at the time of the incident, she suffered greatly from this false accusation.
Death and Legacy
Despite all of her accomplishments, Hurston struggled financially and personally during her final decade. She kept writing, but she had difficulty getting her work published. Additionally, she experienced some backlash for her criticism of the 1955 U.S. Supreme Court decision in Brown v. Board of Education, which called for the end of school segregation.
A few years later, Hurston had suffered several strokes and was living in the St. Lucie County Welfare Home. The once-famous writer and folklorist died poor and alone on January 28, 1960, and was buried in an unmarked grave in Fort Pierce, Florida.
More than a decade later, another great talent helped to revive interest in Hurston and her work: Alice Walker wrote about Hurston in the essay “In Search of Zora Neale Hurston,” published in Ms. magazine in 1975. Walker’s essay helped introduce Hurston to a new generation of readers, and encouraged publishers to print new editions of Hurston’s long-out-of-print novels and other writings. In addition to Walker, Hurston heavily influenced Toni Morrison and Ralph Ellison, among other writers.
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